CLARK’S GLASS WORKS

 

Before getting into glass blowing, Clark was going for a mechanical engineering degree and had a job assembling and tuning bicycles. He never thought much about glass being anything other than something to smoke out of until a friend opened a head shop and introduced him to the artistic side of the craft. 

“I just assumed there was a factory in China with automated machines that made pipes,” Clark admits. 

“When I really looked at the glass, I was like, ‘This is for me!’ Something about glass blowing just made sense — as soon as I lit a torch, I was hooked.”

Ditching engineering seven years ago, Clark dove into glass blowing full-time. Doing was his best teacher. Ironically, the repetitive and detail-oriented aspects he dreaded about engineering jobs were also part of making production glass pipes. But with one significant difference — glass blowing offered freedom and the opportunity to make or break it — no pun intended, on his own. 

Clark’s 10×10 square foot home studio in St. Catherine’s Ontario, Canada, just outside Niagara Falls, keeps him close to his family and focused on his projects. His goal is turning Clark’s Glass Works into a respected brand. He knows that takes commitment, and that is why, on Instagram posts he will often add the hashtags #workhardstayhumble and #clarkworksharderthanyoudo as reminders of the time and effort put into each finished piece.

“One of the best pieces of advice I’ve been given is to work like you have 10 orders even when you don’t,” Clark says.

Mini tubes and recyclers — all hand-spun — are Clark’s bread & butter. While Clark does not consider himself to be “artsy,” some of his pieces are taken up a notch on the creative scale with wig-wag designs, and opal and milli attachments. He also has a line of sculpted creature pendants and rigs nicknamed “Chompers” on account of their oversized teeth. 

“I try and keep my pieces simple, functional and affordable,” Clark says. “The goal is to get them into as many hands as possible.”

“I wake up every day excited to go into my studio,” Clark adds. “Even on my worst day, if I light the torch, it gets me smiling.”

Clark’s Glass Works

IG: @clarksglassworks

Recent Articles

“Winter rain Now tell me why Summers fade And roses die.” – Bob Weir, “Weather Report Suite”
For years, Jennifer Mansour felt them coming. “You can’t stop one,” she said. “As soon as I’d notice that the lights felt a little too bright, I knew I was done for. I’d tell my boss, and then I’d get in the car and pop on my sunglasses because I could feel another one coming on, and I couldn’t do a thing to stop it.”
We love a good music festival here at HQ Magazine. Now that the major music festivals in the U.S. are starting to release their initial lineups, we figured it would be a great time to review some of the best 2026 music festivals in cannabis-friendly states.
An old adage tells us not to judge a book by its cover, but A Woman’s Guide to Cannabis: Using Marijuana to Feel Better, Look Better, Sleep Better–and Get High Like a Lady makes a powerful statement about the role of beauty and femininity in the cannabis industry before you even read the first page.
Sometimes, it’s good to be obsessed. In an industry heavy with similar products, it’s often the little things on the margins that separate great products from good ones.
Even without the representation and recognition they deserve, women have always been at the center of the cannabis movement.
There are objects Americans buy because they need them, and objects Americans buy because they let them be a certain kind of person. A perfectly functional version exists, usually for a fraction of the price. But the other version comes with a name, a story, and a reason to pay extra.
Walk into any warehouse rave, desert gathering, or rooftop after-hours in 2026, and you’ll feel it: the psychedelic underground is back, louder, weirder, and far more self-aware than its ‘60s predecessor ever imagined.