Savina Monet

Savina Monet is not your ordinary graphic designer. She’s an artist in the truest sense of the word, as well as an activist—and possibly a revolutionary. She stumbled into the world of collage art and made it her domain, incorporating clippings and images from vintage issues of High Times into her surreal pieces that reveal a unique aesthetic eye and a deep love for the cannabis plant. But her art is about more than just the plant. It’s about empowerment, specifically of women and minorities in the cannabis industry, and underscores her mission to promote transparency and best business practices in the emergent space.

As a cannabis user herself, Monet understands the medicinal side of cannabis and how it can enhance creativity. “I find it as a way that I can actually settle down my thoughts and get a little bit more in tune with the creative vibe,” she says. Her go-to strain is Bernie Mac, from a Pacific Northwest farm called Loud. She describes it as “very strong stuff” and remarks that she only needs a couple of hits to feel the effects.

 

 

Monet’s relationship with cannabis is not only about personal enjoyment, but also challenging the stigmas rooted in decades of disinformation. Living in Portland, Oregon, one of the first parts of the country to legalize medical and recreational marijuana, opened the doors for Monet’s art to flourish. She saw it as an opportunity to incorporate the herb into her work and show people that cannabis is just another plant with no inherent danger when used responsibly. “It’s my way of challenging negative perceptions. I call it ‘exposure therapy,’” she explains.

The growing popularity of Monet’s work has given her a unique platform, one which she has used to advocate for fair labor practices in the cannabis and hemp industries. She co-founded both the Cannabis Workers Coalition and We are MOTA (Minorities for Opportunities, Transparency, and Accountability in cannabis) to facilitate equal inclusion and representation of minorities in the cannabis industry.

“Around the beginning of the pandemic, there was a lot of uncertainty and confusion,” she says. “Workers were afraid of getting sick or losing their jobs, so it seemed like the right time to unify the voice of the labor movement in cannabis.”

The Cannabis Workers Coalition gives Black, Indigenous, Latinx, and low-income cannabis and hemp workers an opportunity to report incidences of exploitation and discrimination without fear of retaliation.

Monet acknowledges that women and minorities may feel intimidated to voice their concerns within the male-dominated cannabis industry, a space often led by “mountain men” who operate on their own terms. She believes that redefining professionalism is crucial in the cannabis industry, which provides an opportunity to challenge old attitudes and create a more inclusive environment.

MOTA focuses on promoting transparency and best business practices among cannabis brands that claim to represent a specific cultural lens. Monet shares her experience with a cannabis brand called La Chingona (the badass woman). According to the company bio, the brand was the creation of three sisters from Guadalajara, Mexico who perfected cultivation techniques while tending their family’s sugarcane fields. As a woman of Mexican and Italian descent, Monet was intrigued by the backstory. However, upon further investigation she discovered that a “white” dude had fabricated the entire story as a marketing strategy to attract Latino cannabis consumers. (Cue Law & Order “Dun dun” sound effect.)

“We called him out on it,” Monet says, before highlighting the importance of holding brands accountable for misrepresentation. “No business, whether it’s within or outside the cannabis industry, should deceive or manipulate a marginalized community for financial gain. Once the truth came to light, we took action to have the misleading brand removed from store shelves.”

“There’s still a learning curve for consumers,” she adds. “We all want quality products, but don’t always consider where they come from, who touches them, and whether the labor practices are safe and healthy for everyone involved.”

 

As the cannabis industry has continued to grow and evolve, so too has Monet’s place within it. Her passion, creativity and advocacy have made her an influential personality in the space as she continues to be a driving force for positive change.

“I hope my work inspires others to speak up, challenge the status quo, and create a more inclusive and equitable cannabis industry,” Monet says. “We have the power to shape the future of this industry, and I’m committed to using my voice and my art to make a difference.”

Recent Articles

The day after an electric Blunt Brunch Nationals event at MJBizCon last December, co-founders Adelia Fakhri (formerly Carrillo) and Parisa Mansouri-Rad celebrated their success in style—with glam, neon, and most importantly, with their community. Part of what sets Adelia and Parisa apart from other industry leaders is their insistence on collaboration over competition. They’re not trying to climb to the top alone, and their Bright Women, Bold Futures photo series shows how much fun it can be to lift each other up along the way.
It’s the most wonderful time of the year! Well, if you enjoy cannabis products, that joy can also come on sunny days in September or meh mornings in March. But the Christmas season is when most families and friends—religious, secular, or somewhere in-between—come together to celebrate with shiny tinsel, stuffed stockings, and warm egg nog.
Modern pop culture is full of overt references to cannabis use. Counterculture icons Cheech & Chong carved entire careers on their stoner comedy. Musical artists like Cypress Hill, with cuts that include “Hits from the Bong,” “Stoned Raiders,” and “Dr. Greenthumb,” have been celebrating cannabis in all its glory since the early 1990s. And let’s not forget films like Half-Baked, Pineapple Express, and the Harold & Kumar series.
Ten seconds. That's all it takes for a customer to lose interest and your cart size to shrink. It is not that your customers don't know how to focus; rather, they have many things competing for their attention. Nick Gary, founder of IGU Global, calls it a growing impatience for uncertainty. According to Nick, customers will stay in the store if it's answering their needs. Every second they spend asking what something is, how much it costs, or how stupid they might feel asking a question is a second closer to a decision to leave.
Trading cards are having a moment. Have you seen the excitement surrounding limited-edition releases, rare pulls, and collectible cards tied to everything from professional athletes to pop-culture icons? Collectors are not simply buying cards. They are chasing the thrill of discovering, trading, and owning something special.
With Halloweentime upon us, ghosts and goblins all around the world are gearing up for the annual celebration of the macabre. Between dressing up in fun costumes and making caramel apples to taking our kids trick-or-treating around the neighborhood, there’s no shortage of things to do at the end of October; but did you know that some of the earliest traditions revolved around the use of incense and other herbal blends?
When I was in college, my sophomore year roommate, who went by Bear, had a two-foot-tall bong with a name. Green Lucy was a gorgeous emerald-colored masterpiece with thick, bulbous glass at the top, comfortable for ripping huge hits. It was a celebrity on our floor of the creative arts co-op where we lived. People would come from all over the house, and sometimes from other parts of campus, just to hang with Bear and get baked from Green Lucy.